The Essay Connection By Lynn Z. Bloom

Both parts contain exercises that will give you practice in developing a persona of your choice.Challenging and stimulating, each of his exercises focuses on a distinctly different aspect of composition and style, so as to help you develop the skills of a versatile and personable writer.

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Good writers are good thinkers, and good thinkers are people who read widely and are engaged in the world.

For me, that means not only being tapped into what is going on in the world but also tapped into the technology that makes the world so much more accessible to us.

“The Craft of Revision.” Instructor Resources for Writing True: The Art and Craft of Creative Nonfiction.

“Pulling a Poem Out of a Hat.” 2003 Creative Writing/Creative Teaching: Pedagogy Forum Handbook.

“(On) Riffing on the Modern Essay.” Pedagogy Forum.

“Nineteenth Century Newspaper Writers—Women Essayists You’ve (Likely) Never Read.” AWP Conference.

In this wise and ingenious little guide, noted essayist Carl Klaus shows you how to adapt your self to the needs of such varied nonfiction, by varying his own persona to illustrate the distinctive effect produced by each aspect and element of writing.

Klaus divides his book into two parts: first, an introduction to the nature and function of a persona, then a survey of the most important elements of writing that contribute to the character of a persona, from point of view and organization to diction and sentence structure.

“Sometimes Words Aren’t Necessary.” Decatur Herald & Review 9 Oct. Scholarly Articles “When ‘Macaroni and Cheese is Good’ (Enough): Revelation in Creative Nonfiction.” Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 4.2 (2004): 316-22. Analysis of “Leaving Home.” Instructor’s Manual for Stepping on My Brother’s Head and Other Secrets Your English Professor Never Told You.” Eds.

“Research and Creative Nonfiction.” Instructor Resources for Writing True: The Art and Craft of Creative Nonfiction.


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