For much of the play, Othello resists, ignores, or seems indifferent to the racism that dogs him.Tags: Creationism EssayStellar Nucleosynthesis R-ProcessWrite Easy 5 Paragraph EssayHow To Summarize A Research PaperDissertation On Crm In RetailEssay On Homosexuality In CanadaEssay About Independence Day In In TamilAp Lang EssayBest Essay On Discipline
First an event is described and then it becomes reality by action.
The brevity of the line emphasizes the straightforward and unbreakable relationship of words and action.
Like Iago, other Venetians resort to racial slurs to deal with their own feelings of inferiority or powerlessness.
Roderigo, on the defensive and trying to present himself and Iago as a unified front, casually refers to Othello as “the thick-lips.” This epithet is both an attempt to undermine Othello’s military achievements with a cheap stereotype as well as a way to pit Roderigo and Iago’s physical similarity against Othello’s unfamiliar appearance.
Like those men, Othello wants to place the blame for his feelings of inferiority somewhere and winds up laying that blame not where it belongs (in this case, at Iago’s feet), but on his own skin.
The floodgates have opened, and now Othello is in danger of believing all of Iago’s racist nonsense.
Hell and night / Will bring this monstrous birth to the world's light." (Othello, 2.1.402-403, p.161) All of these instances fall into the pattern of words becoming essential realities as understood through "Put out the light, and the put out the light!
He is from a land that Venetians consider exotic and mysterious, he has had unique adventures, and his military accomplishments far exceed those of the men around him.
The prophesy of the old Egyptian woman to Othello's mother in regards to the handkerchief Othello gave to Desdemona also becomes Othello's reality, even though Desdemona did not actually give it away.
(Othello, 3.4.56-65, p.244) Finally Iago fulfills the prophecy of his own words, "I have't, it is engendered!