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Having established the meter, we may also note the end words of each line rhyme in an alternating scheme we can denote as "A-B-A-B." Those end words are "shore," "end," "before" and "contend." So, we have an example here of rhymed iambic pentameter, a charming snippet of metrical verse from the pen of William Shakespeare.Verse is poetic composition in regular meter, whether rhymed or not.
What is this thing that can so physically affect some persons?
One poet called a poem "a thought, caught in the act of dawning." Another said a poem is a means of bringing the wind in the grasses into the house.
We may feel we know what a thing is, but have trouble defining it.
That holds as true for poetry as it does for, say, love or electricity.
This is an important point, to which we'll want shortly to return, but let's consider verse and its patternings a little farther.
It is surprising to some people to learn that more than ninety percent of the poems in any standard anthology of English poetry are written in formally structured, highly patterned metrical verse.
The long, rolling, repetitive lines of American poet Walt Whitman and the passionate Hebrew psalms found in the Holy Bible are well-known older examples of free verse.
Free verse has grown in popularity since the early twentieth century and has now pretty well "swept the field," as poet Stanley Kunitz observed.
Like other forms of literature, poetry may seek to tell a story, enact a drama, convey ideas, offer vivid, unique description or express our inward spiritual, emotional, or psychological states.
Yet, poetry pays particularly close attention to words themselves: their sounds, textures, patterns, and meanings.