Essay On We Are Marshall

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As the admissions committee itself admits in the prompt, this is essentially a request for a personal statement, which typically covers (1) why the candidate feels they need an MBA, (2) why the MBA is necessary Note the admissions committee’s acknowledgement that it already has a lot of information about you from the other parts of your application, including your resume, extracurricular activities, recommendations, short-answer question responses, academic transcripts, and GMAT/GRE score.

You should therefore think first about what these elements convey about who you are as an individual and candidate, so you can determine which parts of your profile complement this information and the image it collectively presents of you.

Things turn uplifting when the university’s president (David Strathairn), convinced by Anthony Mackie’s junior varsity player and a crowd outside his window chanting the school motto “We Are…Marshall!

,” decides to create a new team, and hires a country bumpkin named Jack Lengyel (Matthew Mc Conaughey) with no ties to Marshall to be its head coach.

Such moving messages are given a glimmer of poignancy by Mc Conaughey’s performance, which is rampant with shtick—his body hunched over, earnest homilies rapidly emanating out of the corner of his mouth—but also, on at least one occasion, exhibits a genuine sense of confusion and helplessness that’s at odds with the role’s regulation-size heroism.

Any sincerity, however, is ultimately overwhelmed by the thick cheese that coats virtually every inch of this inspirational saga. ’s disingenuously tidy portrait of it, alas, is not.After a serene prologue set in a packed theater where the adult David Copperfield (Dev Patel), standing at a lectern as if he were Spalding Gray in the 19th century, speaks the famous opening lines of Charles Dickens’s beloved novel, “Whether I shall turn out to be the hero of my own life…,” this adaptation stomps on the accelerator and barely lets up.David’s existence is told episodically—appropriate given the source material—and at a whimsically breakneck pace that can be off-putting.So, if you need to, use this opportunity to address any questions the admissions committee might have about your profile—a poor grade or overall GPA, a low GMAT or GRE score, a gap in your work experience, etc.Consider downloading our free However, Marshall clearly leaves the door open for you to discuss any other information about your candidacy that you feel may be pivotal or particularly compelling—that you think the admissions committee truly needs to know to be able to evaluate you fully and effectively.After a brief foray last year into creative territory with its application essay prompts, the University of Southern California (USC) Marshall School of Business has embraced a much more traditional approach this season.For the first required essay, applicants must detail their immediate short-term career goal—without much elaboration, given the 100-word limit.For the second required essay, which now can be as long as 600 words (up from 500), candidates are asked to write a letter to the Marshall admissions committee, though no specific requests are made beyond that, leaving applicants significant latitude.An optional essay gives candidates who feel they have an issue to explain or a particularly significant story to share the opportunity to (succinctly) do so.“This is a true story” reads the opening title card to director Mc G’s fictionalization of the school and town’s efforts to overcome the catastrophe by rebuilding their football program, quite a boast considering that it gets the basic particulars right but then embellishes them with all sorts of maudlin melodramatic moments ripped straight from the Hollywood male-weepie playbook.After barely paying attention to the doomed players and staff, whose fateful accident is depicted via a -style cut to silent darkness at the moment of lethal impact, Mc G spends a good chunk of time fetishizing the grief of the deceased’s loved ones—which includes a school board member and factory worker (Ian Mc Shane) whose son was a star running back, his boy’s fiancé (Kate Mara), a player (Brian Geraghty) who fortuitously overslept and thus missed the flight, and the young son of the squad’s play-by-play radio announcer—with somber, golden-hued compositions.


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