Adorno interprets this plausibly funny situation as the implausible ideological message: “Don’t expect the impossible, don’t daydream, but be realistic” [ibidem, 167].This in a way sounds like an inversion of the aspirational psychology of the American Dream, and plays more to the old fashioned Marxist than I would have expected.
Adorno interprets this plausibly funny situation as the implausible ideological message: “Don’t expect the impossible, don’t daydream, but be realistic” [ibidem, 167].This in a way sounds like an inversion of the aspirational psychology of the American Dream, and plays more to the old fashioned Marxist than I would have expected.Tags: Duties And Responsibilities Of An Nco EssayResearch Paper For Mechanical EngineeringEssay On Why I Should Get A PuppyDissertation De Philosophie MthodeThesis Subjects BusinessCollege Essay Personal QualityShort Essay On Independence Day In EnglishNames For Event Planning BusinessSocial Work Courses Australia
Within every funny dick joke in a Judd Apatow film, there is a socially conservative message embedded within it, perhaps something like: a heterosexual woman is incomplete without her man partner.
Adorno tries to show this overt/covert distinction through a few examples, many of which seem like either they came from a television show that he hasn’t chosen to cite, or he’s made up very convoluted instance. One example is this: A young schooolteacher is underpaid and bothered by her boss.
I see how horribly cliche the recent tv series ‘New Girl’ is for instance, where the quirky character of Jess seems to justify that she’s a metaphorical boxing bag for her flatmates at times, and the implication that she is incomplete without a man, or the obvious physiognomy with characters such as the ‘formerly-fat’ Schmidt.
The analysis of tropes has taken into its own, and is a highly fruitful source of analysis.
The other example seems to me a little bit convoluted and I do not understand how Adorno interprets this at all.
The example is from the ‘funnies’ of the day where a woman leaves it in her will for her cat to inherit her belongings, but they are dismissed as eccentric items by her family, and they later find out when its too late and the items are about to be destroyed, that each toy carried a hundred dollar bill.
We find this acceptable because even though she is brought to starvation by her poverty, we find her amusing demeanour and clumsiness to justify her as a character of worth.
The covert message here is that her intelligence is compensation for her poor situation, and in some way justifies it because she will end up okay for being intelligent, regardless of her circumstances.
Adorno makes the point that the format of television shows create repetitive features, many of which establish a sense of expectation on the part of the audience, for instance, plotlines must resolve by the end of the episode, the good guy always wins and so forth.
This reminds me instantly of music, and the expectations of many pieces of music.